MAESTRO ICO

About MAESTRO

The blockchain technology can not deny the change of the digital music industry. However, existing block music services focus on improving existing flow and distribution structures and can not address the fundamental problems of today's industry. Unlike pioneers, future musical products developed as a chain of blocks should use technology to provide innovative functions that revolutionize the music industry.

Maestro emerged from this need to address the problem of covering the current music industry, the unfair structure of the industry itself. Other companies, such as labels and agents, now account for more than 80% of revenues, and artists are barely supported and have financial difficulties. Music player companies exacerbate inequality only through inefficient bureaucracy.

Tim Maestro believes that for music and industry to flourish, he must provide an environment that focuses on encouraging the artist's creative endeavor and ensuring fair rewards. Therefore, we propose a music platform based on the chain of blocks that acts as a creative ecosystem based on the close cooperation between producers and consumers.

Music distribution rights are exclusive to third parties, such as production companies and labels, which have influenced them to control the resulting benefits. The inherent inequality of this distribution structure affects not only artists, but also consumers who charge irrational prices to pay to enjoy music. Maestro seeks to create a transparent industry through decentralization using blockchain technology. Leaving the "intermediary" of this process allows consumers to use the transmission services at a more affordable price.

The emergence of block chains and problems
With the birth of Ethereum and its innovative smart agreement, many efforts are being made to apply this technology to the music industry. More and more block chains are being used with the music service based on Ethereum "Opus". Resonate, a service that provides a unique income distribution structure, and Choon, a platform focused on distribution revenue.
Most music platforms based on block chains focus on securing copyright, assigning problems of musical benefits and improving structural transparency. The Master team has also approved these three areas of improvement. But I wonder if a copyright or profit-sharing approach can really revolutionize the music industry and create an environment in which artists can move bravely on their existing labels. Currently, there are the following problems with block-based services.

The agony for consumers: the lack of music in existing labels
The new platform attracts artists to services based on block chains and protects their rights. This is a positive change because it can protect and operate the copyright without the need for intermediaries. The listener has other problems. Because customers want conventional music from well-known artists, most streaming services feel the need to invest a lot to provide as much content as possible and offer different tastes. Blockchain technology is the basis of many innovative efforts, but it is difficult to meet the needs of many customers because it is difficult to make the music of the record company incorporate correctly.

Agony for producers and artists: opposition to existing structures
To create a new structure, the producer or the artist must abandon the current label. However, the failure to maintain the business using labels at this time can generate production costs. It is not easy for a producer to completely abandon its relationship with labels, challenge the existing industrial structure and join the new paradigm.

Problem with the label: lack of benefits
There is no gain in labeling the appearance of new services in the block chain. Instead, those services will lose their current exclusive rights to music protected by copyright. Despite the many challenges they face in the industry, brands must be aware that they must conserve their current rights through a variety of efforts, activities and expenses. It is clear that all parts of the music industry today have different positions and perspectives.

The team of Maestro determined that it was impossible to solve the industrial problem by suggesting an ideal model that did not take into account the opinions of each interested party. Therefore, we have adopted a different approach to traditional music services based on block chains. Despite the problems mentioned above, it will be an interesting element. As a result, Maestro focused on considering the complex relationships in which all those interested in the industry exist.

Solution
The solution to the problem: "Capital"
The Master focuses on "Capital" to solve the problems mentioned above, especially the cost of producing the songs. Before other major problems, including the allocation of equitable capital and the structural improvement of the music industry, capital problems arose. Given that capital is a key element in the current management of the music industry, it is safe to predict that improving the funding process will provide a fundamental solution to the problem.

Current production process
The production company is financed by the investment of labels for the production of music. Therefore, they first transfer the exclusive distribution right. Even if only part of the rights are transferred, the artist must distribute the music through the label. Once the contract is concluded, the artist has no choice but to follow the established procedures to ensure adequate funds and communicate the creations.
Solution 1: financing the crowd for musical production
Maestro focuses on solving capital problems and providing real-time broadcasting services to create an integral musical ecosystem. Maestro will solve this problem through crowdfunding.
Crowdfunding is an alternative financial service that brings money from many people to the project or business. This method, which is already known as the commercial method used by Kickstarter and Indiegogo, has invested $ 16.2 billion worldwide.
Crowdfunding creates a new process that allows first users to choose which products to produce while solving business financing problems and promising projects. Many projects, especially in the field of art, have started this course successfully.

Maestro intends to apply organically the concept of crowdfunding throughout the music industry. Our goal is to create an ecosystem where fans and investors increase production costs, and the benefits generated by the transmission of songs are distributed evenly among artists and investors. Therefore, blockchain technology plays an important role in providing important funds for music production and transfer of rights.

Solution 2: a rational and pioneering model for consumers
The Master method will bring more benefits to consumers. The Maestro service includes the price policy that consumers already pay based on the number of songs that really overflow. You will not be charged unless the consumer uses the services provided. Maestro offers incentives to consumers by allowing purely renewable subscription packages, depending on usage. This financing structure offers consumers new investment and communication opportunities. Consumers can communicate directly with artists and actively participate in projects. If the project you finance is successful, you can share the benefit according to the amount of the investment. Maestro is the first platform in the block chain where consumers and artists can help each other for mutual benefit.

Master
Teacher Service is a music platform based on a chain of blocks consisting of a crowdfunding center and transmission services. Maestro focuses on building a platform that distributes benefits fairly through transparency in block chain technology and therefore solves capital problems. Capital problems are the most fundamental problem in today's industry. Artists can reduce the cost of production by receiving funds through the central Ensemble Master audience. Consumers are entitled to the content in which they have invested.

Investors share the right path and may be responsible for promoting it. When finished, the project will be registered with the "Symphony" broadcast service. In addition, the profits of the content are distributed to the shareholders. In other words, Maestro can operate broadcast services to solve current funding problems, protect the rights of artists and create an environment in which musical projects can succeed through advanced funding. Instead of focusing on the distribution of the artist's benefits, he deals with the issue of financing for all participants. By providing incentives for each participant, you can create active participatory music services. Maestro focuses on creating a new music ecosystem that can uniquely support all artists, use blockchain technology for producers and investors, and consider appropriate incentives for each participant. Each

Master System

Client
Pay only for the amount you paid.
Rain Payments based on actual consumption
Aspiration It is cheaper than other services.
D. Investment opportunities

Artist
A. Do not worry about the cost of production.
Rain Fair benefit for artists
Aspiration Funding increases music production costs
D. Guarantee rights to creations

Crowdfunding system for artists
Financing the construction environment for artists Expanding investment opportunities for general consumers Mutual benefit solutions for artists and investors

Fair Music Streaming Service for consumers Distributed transmission service without intermediaries. Fair payment structure based on real consumption Compared to other transmission services, the electricity bill is cheaper.

Master Fee ServiceAcuisio: 0% All proceeds are distributed to traffic holders. The transparent service operator can set the allocation ratio

From MAESTRO and K-Pop to large producers and WorldMUU with strategic artists focused on K-Pop Securing geographic advantage After controlling the Asian market, expand it to other areas K-Pop Cation Service Development

Master Token SaleToken Name: Master TokenToken Symbol: MAEParga1 ETH = 10,000 MAET sold * Unpublished tokens are destroyed. : 620,000,000 MAE
ProgressPrivate Sale: 6/18/16 7:00 - 6/18/29 Bonus 30%: 62,000,000 MAE
1st ICO 18.06.30 7pm - 18.07.15 Bonus 10%: 186,000,000 MAE
2nd ICO18.07.16 pm 7 pm - No more opportunities! MAE 334.8 million

Dividend Token * We have been blocked for one year for our team.

Using results

Roadmap
May 2018
Continue advanced marketing for artists.
June 2018
Personal sales of the investment company and main user ICO-2
July 2018
Memorandum of Understanding signed with the main suppliers
Registration of exchange in November 2018
Version of demonstration v1.0 released
Completion of the financing company of 100 artists directed by Maestro
May 2019
Official launch of the Mainnet platform

Teams and Consultants